Découvrez le tableau “Sur la Volga” de Nikolai Nikanorovich Dubovskoy

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“Sur la Volga” (На Волге) est une huile sur toile de 141,5 X 190,5 cm peinte par Nikolai Dubovskoy (Николай Дубовской) en 1892. Elle est actuellement située dans la Galerie Tretiakov. 

Cette belle peinture de genre de paysage et de marine représentant le large fleuve la Volga à plein débit est l’une des œuvres majeures de Dubovskoy.

On the Volga by Nikolai Dubovskoy 1892
Sur la Volga par Nikolai Dubovskoy 1892

Depuis 1884, les peintures de Dubovskoy ont été présentées exclusivement lors d’expositions itinérantes. Il a été admis à l’Association des expositions d’art itinérantes en 1886 et est devienu l’un de ses membres les plus actifs.

À partir de la peinture “Calme” en 1890, l’une des tendances importantes des paysages de Dubovskoy était le thème des vastes étendues d’eau.

«Sur la Volga» présentée à la 20e exposition de l’Association des expositions d’art itinérantes en février 1892 à Saint-Pétersbourg a été largement apprécié par les spectateurs et les critiques et a été acheté par Tretiakov la même année.

Une esquisse de l’étude de “Sur la Volga” se trouve également à la galerie Tretiakov. C’est une huile sur toile de 24 X 32 cm.

On the Volga study 1892 by Dubovskoy
Sur la Volga – étude 1892 par Dubovskoy

Description de la peinture

La majeure partie de la toile est occupée par le ciel et l’eau. La Volga qui s’étend jusqu’à l’horizon est perçue comme une mer sans fin. La rivière est calme, il n’y a pas de vagues.

On the Volga by Nikolai Dubovskoy 1892
Sur la Volga par Nikolai Dubovskoy 1892

La ligne d’horizon très basse et à peine perceptible dans laquelle l’eau se confond avec le ciel crée une impression d’immensité.

Dans le tableau «Sur la Volga», l’artiste utilise «une gamme finement nuancée de tons lilas», et la palette de couleurs du paysage est basée sur des transitions douces. Des tons bleu-brun sont utilisés au premier plan de la partie ombragée de l’eau, et des nuances lilas-opale sont utilisées plus près de l’horizon, tandis que des tons argentés-bleuâtres sont utilisés pour représenter le ciel. 

On the Volga (part sky) by Nikolai Dubovskoy 1892
Sur la Volga (ciel en partie) par Nikolai Dubovskoy 1892

En regardant le ciel, nous pouvons voir des nuages ​​flotter dans le ciel, sur lesquels de doux reflets du soleil sont visibles. 

On the Volga (part reflection on water) by Nikolai Dubovskoy 1892
Sur la Volga (réflexion partielle sur l’eau) par Nikolai Dubovskoy 1892

L’eau comme un miroir reflète tout ce qui l’entoure, comme le ciel et les bateaux.

On the Volga (part boats) by Nikolai Dubovskoy 1892
Sur la Volga (partie bateaux) par Nikolai Dubovskoy 1892

Pour montrer la taille de la rivière, des bateaux de pêche se tiennent sur l’eau calme et semblent très petits. On peut également apercevoir des figures de pêcheurs sur une étroite bande de hauts-fonds sur le côté droit de la toile, ainsi que des goélands. 

La taille relativement petite des bateaux et des pêcheurs souligne non seulement l’immensité de l’espace qui les entoure, mais montre également le lien du fleuve avec la vie des personnes vivant et travaillant sur ses rives .

Quiet by Nikolai Dubovskoy
Calme par Nikolai Dubovskoy

J’espère que vous apprécierez ce tableau autant que moi. Vous pouvez également lire au sujet du tableau “Calme” de Nikolai Nikanorovich Dubovskoy

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Discover the painting “On the Volga” by Nikolai Nikanorovich Dubovskoy

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“On the Volga” (На Волге) is an oil on canvas of 141.5 X 190,5 cm painted by Nikolai Dubovskoy (Николай Дубовской) in 1892 now situated in the Tretyakov Gallery.

This beautiful landscape and marine painting depicting the wide full-flowing river Volga is one of Dubovskoy’s major works.

On the Volga by Nikolai Dubovskoy 1892
On the Volga by Nikolai Dubovskoy 1892

Since 1884, Dubovskoy’s painting have been presented exclusively at traveling exhibitions. He was admitted to the Association of Traveling Art Exhibitions in 1886, and became one of his most active member.

Starting with the painting “Quiet” in 1890, one of the important trends in Dubovskoy’s landscape was the theme of wide expanses of water.

“On the Volga” presented at the 20th exhibition of the Association of Traveling Art Exhibitions on February 1892 in Saint Petersburg was widely appreciated by viewers and critics and was bought by Tretyakov that same year.

A sketch of the study of “On the Volga” is also at the Tretyakov Gallery. It is an oil on canvas of 24 X 32 cm.

On the Volga study 1892 by Dubovskoy
On the Volga – study 1892 by Dubovskoy

Description of the painting

Most of the canvas is occupied by the sky and water. The Volga which extends to the very horizon is perceived as an endless sea. The river is calm, there are no waves.

On the Volga by Nikolai Dubovskoy 1892
On the Volga by Nikolai Dubovskoy 1892

The very low and barely noticeable horizon line in which the water merges with the sky  creates an impression of vastness.

In the painting “On the Volga” the artist uses “a finely nuanced range of lilac tones”, and the color scheme of the landscape is based on smooth transitions. Bluish-brown tones are used in the foreground of the shaded part of the water, and lilac-opal shades are used closer to the horizon, while silvery-bluish tones are used when depicting the sky. 

On the Volga (part sky) by Nikolai Dubovskoy 1892
On the Volga (part sky) by Nikolai Dubovskoy 1892

Looking at the sky, we can see clouds floating across the sky, on which soft reflections of the sun are visible. 

On the Volga (part reflection on water) by Nikolai Dubovskoy 1892
On the Volga (part reflection on water) by Nikolai Dubovskoy 1892

The water like a mirror reflects everything around it, like the sky, and boats.

On the Volga (part boats) by Nikolai Dubovskoy 1892
On the Volga (part boats) by Nikolai Dubovskoy 1892

To impress the size of the river fishing boats stand on the calm water seeming very small. We can also glimpse the figures of fishermen on a narrow strip of shallows on the right side of the canvas, as well as gulls. 

The relatively small size of boats and fishermen not only emphasizes the vastness of the space surrounding them, but also shows the connection of the river with the life of people living and working on its banks  .

Quiet by Nikolai Dubovskoy
Quiet by Nikolai Dubovskoy

I hope your enjoy this painting as much as I did. You can also read about the painting “Quiet” by Nikolai Nikanorovich Dubovskoy

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A wonderful painting that everyone should know

No, I’m not talking about Leonardo da Vinci’s Mona Lisa, but Viktor Vasnetsov’s Three Heroes, also called Three Bogatyrs and Три Богатыря in Russian.

It took Viktor Vasnetsov 30 years to paint this masterpiece which was completed in 1898. This painting measures 295.3 X 446 centimeters or almost 3 meters by 4 and a half meters.

This painting is a folkloric masterpiece representing three epic heroes of Russia: They are very well known to all Russians.

Dobrynya Nikititch, Ilya Myromets and Alyosha Popovich stand from left to right.

Viktor Vasnetsov -Three Bogatyrs ( Три Богатыря )
Viktor_Vasnetsov_- Bogatyrs -_Google_Art_Project

Creation of the painting “The Three Bogatyrs”

Description of the painting

What does this painting represent?

Creation of the painting “The Three Bogatyrs”

VM Vasnetsov The first sketch of the painting “Bogatyrs”, 1871-1874
VM Vasnetsov The first sketch of the painting “Bogatyrs”, 1871-1874.

The first sketch of this oil painting has two dates: “75” and “1989 March 10”. They are explained by the fact that this sketch was made in Paris, in Polenov’s studio, shortly after Viktor Vasnetsov’s arrival in Paris. Viktor wanted to give him this sketch but Polenov refused to take it before Vasnetsov painted a big painting.

One of the prototypes of Ilya Muromets was the peasant from the province of Vladimir; Ivan Petrov, whom he drew in 1883. But there will also be the blacksmith from Abramtsevo, and a truck driver he met in Moscow.

Researchers of Vasnetsov’s work list numerous oil sketches created by the artist while working on the Three Bogatyrs

Bogatyrs 1876
Bogatyrs 1876

The first made in 1876 is called Bogatyrs and was made in the house-museum of VD Polenov.

The next is the painting called Abramtsevo made in 1879

Then the one called “Small forests. Akhtyrka” painted in 1880.

Then come: “Sitter in chain mail” 1880, “horses” 1881, “Landscape of Akhtyrka” 1882, “Landscape of a wooded mound” 1881, “Peasant from the province of Vladimir Ivan Petrov” 1883.

Subsequently “Tête de paysan” 1898, “Cotte de mail” 1898, “Black horse” and “Bay horse” will complete this list.

Description of the painting

Peasant from the province of Vladimir 1883
Peasant from the province of Vladimir 1883

In the middle, Ilya Muromets gazes into the distance, shading his eyes with his hand. He is the most famous and oldest hero. He is physically more powerful than his companions. He has simple mittens, and old boots which indicate that he does not earn much money. Ilya Muromets is well armed, he has a powerful spear, a shield, a heavy club, and a large quiver with arrows. It shows us its strength because it would be impossible to wear it all effortlessly otherwise.

His black horse is a magnificent animal that has a metal harness, showing us its power.

Ilya is comfortable and relaxed on horseback, he does not use his stirrups, but it is known that in case of danger he will not hesitate to rush into a fight to the death

Etude pour Dobrynya Nikitich 1898
Etude pour Dobrynya Nikitich 1898

To Ilya’s right is a hero who may be a bit younger. His name is Dobrynya Nikitich and he displays an air of wealth. He has an expensive outfit, a caftan embroidered with gold, beautiful new boots. His helmet is expensive and fitted with a protective net, his chain, his Orthodox cross and the scabbard with the hilt of the sword are decorated with gold. His magnificent red shield is adorned with sparkling rivets. He keeps his sword half drawn, he won’t waste a second if he needs to defend his homeland

His white horse seems ready to fly into battle at the slightest sign of danger.

Alyosha Popovich who is the adopted son of an ordinary Rostov priest stands to the left of Ilya. He is the youngest and most romantic of the three heroic Russian warriors. He doesn’t have that physical power yet, but you can see he’s brave, cunning, and resourceful. He keeps his bow ready for battle. He owns expensive clothes and a harp with which he can play in their rare moments of rest. Despite his youth, Alyosha is known to have an unyielding will and devotion to his native land.

The nature surrounding them is light in color. Young spruce shoots can be seen representing continuity. Old forests leave and grow back. Generations change but the idea of ​​strength and unity of the Russian spirit remains unchanged.

The dark tones of the sky represent the constant threat to Russia

What does this painting represent?

Chainmail Sitter
Chainmail Sitter

The heroes are depicted using brown and gray colors which emphasize their courage and confidence in victory.

Ilya Muromets and his horse constitute a kind of monument, symbolizing the unity of the people who cannot be broken by difficulties and who are ready to fight for Russia. But it also symbolizes solidity, prudence, and slowness. He is the bearer of popular wisdom, experience and traditions.

Nikititch appears as a courageous defender of the fatherland. He is full of energy and ready for battle.

Alyosha embodies a brave fighter and a poet sensitive to any manifestation of beauty

Vasnetsov Viktor Mikhailovich Landscape. Small forests. 
Period of creation: Early 1880s
Vasnetsov Viktor Mikhailovich Landscape. Small forests. 
Period of creation: Early 1880s

Russian nature is depicted in green tones, with yellow and brown shades. The sky is covered with clouds indicating imminent danger

The heroes are perceived as a mythical personification of the creative forces of the Russian land

Abramtsevo 1879
Abramtsevo 1879

Light and bright shades stand out against a dark background, which emphasizes the victory of Russian heroes over the enemies they expect

Did you like the article ? Like and share it on social media, let your friends know about what’s happenings as well. 

Sources:

An essay based on the painting Three heroes: description and characteristics

Description of the work “Three heroes”

The harmony of the fairy tale was on the canvas of V. Vasnetsov “Heroes”

Composition based on Vasnetsov’s painting Three Heroes; description, who is depicted, characteristics of the three heroes

Bogatyrs (peinture de Vasnetsov)